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Do-It -your self Open residence invites Jenna Marie has been editing and writing professionally given that 1993. Her enhancing background comprises newspapers, magazines and books, and her articles have regarded in print and on web sites similar to Life123 and AccessNurses. She makes a speciality of writing about parenting, frugal living, precise estate, go back and forth and meals. Her nonfiction publication became published in 2008. She earned a Bachelor of Science in journalism from Utah State institution. Write a thanks observe Birthdays, vacation trips, graduations, interviews—the record of momentous occasions that gifts go together with is big. After the celebration and items, there’s simply another element your child must tackle: thank you notes. A healthy show of gratitude is a great way to position a smile on someone’s face, and there’s something extraordinary about handwritten notes. show your infant how to put his finest foot forward and make a great impact with an old school “thank you"! Andrew Kitchen’s boogie strikes lower back it be been basically 25 years on the grounds that I first met Andrew Kitchen, however when we recently got collectively for no longer-drinks ("Sorry," he apologized, "I best drink martinis and daiquiris"), the forever aspiring media multi-millionaire seemed the exact same as he had within the mid-90s. a protracted-working funny story about Dick Clark—who kicked off the tv dance craze in 1957 when the Philadelphia exhibit he hosted, Bandstand, went country wide and have become American Bandstand—imagined that he certainly not aged. however sitting earlier than me changed into one in every of Clark’s pop-cultural successors, the host of a whole bunch of episodes of assault of the Boogie from 1983 until 2014, and he really did appear to defy time: he had a smiling baby face, the exuberance of a youngster, and a full head of the same glossy curls he’d worn for decades. Kitchen’s latest task—a remix of his demonstrate’s theme song, on a compilation 12-inch from Chicago boutique label star Creature ordinary Vibrations—was nevertheless weeks faraway from release but had already sold out, so he turned into understandably enthusiastic. And it became the same enthusiasm i might considered him screen when dealing with numerous minor losses and infrequent wins on the smallest stages of native media. Deep into one of the most hopeless years in American background, Kitchen the Dancin’ Magician could nevertheless conjure up the identical optimism he’d felt when he first set adolescent toes on the set of Soul educate in 1971. Andrew Kitchen checklist-free up partyKitchen hosts and Kool Hersh DJs. RSVP, masks, and temperature check required.Wed 9/9, 7-10 PM, the Promontory (upper patio), 5311 S. Lake Park Ave. West, 21+, free earlier than you will accurately submit to the assault of Kitchen’s boogie, one must look at the combat histories of Chicago dance indicates of yore. The Gettysburg of those boogie battlegrounds changed into the WCIU studio, at the start determined in a tiny room on the proper ground of the Chicago Board of alternate building. founded in early 1964, the station has given that morphed into the anchor of the MeTV empire (making Svengoolie and Andy Griffith exquisite again), but channel 26 first found modest success within the 60s through narrowcasting to diverse ethnic businesses, presenting a spot on the UHF dial where viewers who spoke Polish, Italian, and Spanish could hear their own languages (and even watch bloody bullfights, in action-packed distinction to the bulls and bears of the station’s hours-long afternoon inventory market reports from the Board of alternate floor). among the no-frills programming that entranced viewers within the days of constrained channel selections have been a whole lot of dance suggests that followed Clark’s template: an older host presiding over younger, unpaid dancers who grooved to the day’s favorites, with occasional guests miming to information they had been at the moment promoting. as a result of WCIU changed into a truly weird station, it broadcast some in reality weird dance suggests. From the late 60s till 1971, grizzled blues DJ massive invoice Hill hosted crimson scorching & Blues, which invited very small little ones to dance to very adult music very late at night (the exhibit turned into broadcast reside, ending round hour of darkness). extra healthful however also essentially odd become Kiddie A-Go-Go, which aired from 1966 until 1970 and featured an enthusiastic harlequin with a Chicago accent and her puppet associates inviting babies to shake it to the hits. however since it turned into also a fine station, channel 26 helped delivery the most suitable dance show of all time. almost immediately after becoming a disc jockey on WVON in 1966, Don Cornelius joined WCIU as the host of the groundbreaking news application A Black’s View of the news. Then in 1970 he launched a live weekday afternoon dance display referred to as Soul teach. A yr later, the formidable visionary would parlay its native success right into a la-based, nationally syndicated version of the show that combined miraculous camerawork, funky animation, the colourful vogue and kinetic brilliance of los angeles’s teen dancers, and the elegance of Seventies soul music—it made American Bandstand look archaic. however Chicago kept its version of Soul train, and it chugged alongside Monday through Friday neatly into america’s bicentennial year, broadcast in wonderful black-and-white, with static cameras and corny sets, pleasing and provoking a era of children. Like Clark’s demonstrate (and like equivalent local programs across the nation, as fictionalized in Hairspray), Chicago’s Soul coach supplied a regular ritual for youngsters watching at domestic after college, amazed to see their peers—the same age and color as them—on television. most effective a lucky few could be shoehorned into the residing-room-dimension studio, but dancing on the display made these minors into minor celebrities. As affordable reruns and syndicated shows made hyperlocal industrial programming much less possible within the 80s, cable-access television moved into that niche. In high school within the late 80s, I first grew to become worried with Chicago access community tv (CAN tv), the metropolis’s new cable-entry network, when my paintings teacher organized for a producer to have public college college students speak with sculptor Ludovico de Luigi and architect Helmut Jahn (the show additionally shadowed me while I did drawings of el teach riders). And within the late Nineties and early 2000s, the CAN television studio, on the time discovered near Greektown on Van Buren and eco-friendly, grew to be my 2d domestic. starting in 1996, whereas i used to be working with my then wife, Jacqueline Stewart, and Kelly Kuvo of the Scissor ladies to produce our personal CAN tv dance display, stylish-a-Go-Go, I additionally volunteered to work cameras on three very distinct dance indicates that I in reality admired, establishing pleasant albeit superficial relationships with their producers. Our software, an homage to Kiddie A-Go-Go, became essentially the most celebrated, doubtless because having cult musicians lip-sync gave us quirky indie cred, leading to country wide consideration. The realest turned into Elma and business, which featured hyperlocal artists and a skill crowd of minor dancers and constructed a in reality rabid fan following among actual high schoolers, similar to the traditional dance indicates. The optimum-great day trip become the short-lived Soul within the gap, a noble tribute to Chicago’s potent underground dance culture that had astonishing creation values, dynamic camerawork, and interesting skill (the enthralling dancing of poet, singer, and artist Avery R. younger is completely seared into my hippocampus). and eventually, there became probably the most historical of the three, Andrew Kitchen’s assault of the Boogie. A 2005 clip from Elma and company attack of the Boogie was (and theoretically nevertheless is) firmly rooted in Chicago dance-show historical past, as a result of Andrew Kitchen is a Soul coach survivor and as dedicated a follower of Chicago dance indicates as any one. When he recounts his early life, I cannot comply with the bits and bobs of when he lived where, as he distractedly drops particulars about bouncing between the west and south aspects. however as soon as Kitchen receives to the part the place his eleven-12 months-old self grew to become an long-established Soul instruct dancer in 1971 (lying about his age to fulfill the excessive college age requirement), his reviews snap into focal point: he has vivid Technicolor recollections of these blurry, black-and-white broadcast days. "i used to be attracted to art at the beginning, in drawing comedian books, but I variety of got discouraged when my dad mentioned, ‘if you do some decent work, you’re going to be famous if you happen to die,’" Kitchen says. "it is once I bought attracted to dancing, from seeing Soul instruct. I had watched huge bill Hill, Kiddie A-Go-Go. Channel 26 had lots of dance suggests, all filmed in the same accurate studio, and eventually i used to be on most of them. i was even on a demonstrate known as Filipino Bandstand. but in 1970 I favored Soul teach because they have been basically doing some thing distinct, strikes I hadn’t viewed before. i used to be a klutz on the time, sort of clumsy, so i would are attempting to do the strikes they did, nonetheless it at all times came out distinctive. however that was a plus for me, as a result of people began paying consideration—it turned it into a kind of wild dancing." After calling in, Kitchen turned into invited to come to the studio and wait within the cramped hallway right through A Black’s Views of the information, delivered by way of John Q. Adams, Cornelius’s successor (and in the late 70s the host of a short-lived disco-themed dance show, John Q’s leisure Scene, where Kitchen grew to become an everyday). When the news program ended, the Soul educate kids were shuttled into the tiny room to do their ultimate to seize the digicam’s consideration. "i would wear shiny outfits," Kitchen recalls, "bell-bottoms, sequins, a bat-winged shirt, anything to get consideration." a couple of month after his first appearance, he became referred to as back. He began appearing on a regular foundation, ultimately ditching faculty to get there on time 4 or 5 days every week. A stroke of success helped get Kitchen hooked on the exhibit. usually the Chicago Soul teach turned into broadcast are living and not taped, however on Fridays the crew once in a while recorded the episode because it aired, creating a backup rerun for emergencies—in case now not ample kids confirmed up, as an example, or Cornelius or his proxy, dancer Clinton Ghent, arrived late. If whatever thing like that came about, the station would run the tape for a couple of minutes until the reside episode could birth. (None of those tapes is typical to have survived.) Kitchen’s first appearance came about to be on a Friday, so his episode changed into taped, and he became looking at the day it reran a few weeks later—which gave him the rare thrill of seeing himself on television within the are living tv era. He became fully dedicated to the dance-reveal subculture. Kitchen made chums with the Chicago Soul teach dancers, and he regarded the channel 26 crew sophisticated to the LA set as a result of they had memorable names. "We had a guy named Pinball Wizard," he remembers. "There changed into Arthritis, and his cousins Rheumatism and Bursitis, and their dancing turned into like they’d arthritis and rheumatism. There became a lady named Cupcake, two twins named Sugar and Spice, and a guy named the Masquerader—he was probably the most usual, he all the time wore a mask. and i changed into the Dancin’ Magician." Cliques of dancers shaped to do choreographed routines and motion-packed splits and dives. They blanketed the Kicks, the Southside Equators, the all-Native American community sizzling Ice, and essentially the most successful crew, the Puppets, who became a country wide dance act, performing on the middle of the night particular tv display hosted via Wolfman Jack. Kitchen also fashioned cliques of his own. "I had the Ten Commandments, however there changed into simplest 5 of us, so we modified the name to the Commandments. I then had the Dancing Superheroes. We bought to perform at clubs round city, on the high Chaparral, the Flipside, Ron Briskman’s Hideout. We were underage, and could be in hindrance when we got here again home after three within the morning, in order that bought shut down with a few smacks to the butt." because the Chicago Soul instruct wound down ("In 1976 they informed us they were revamping the studio, see you in a month, and that become it") he fashioned an extra dance community with two and eventually 4 ladies: Kitchen’s Dancin’ Magicians. They under no circumstances did magic, although they might dress in magician outfits, and that they begun acting as guests on tv indicates and doing out-of-town gigs. They acquired booked on Ray Rayner and His pals and Kidding round, and that they looked on the quite a lot of incarnations of the Bozo tv exhibit each year from 1980 via 1991. Kitchen even again to channel 26 for its U Dance With B96 display within the mid-90s. In 1983 Kitchen decided to become the grasp of his fate and launch his personal dance show. Working in a financial institution, he’d saved up for a 12 months except he had a pair thousand dollars to produce a pilot episode at Panos Productions, a studio that rented out area and crew to produce by and large Greek and Spanish programming. He recorded a theme music, auditioned 20 dancers (Black and white, in hopes of attractive greater largely to skills sponsors), had his pal Melvin "the Alexander" Dunlap make a tough-hewn sign of a symbol for the set, and tried his most desirable. parts of the usual 1983 assault of the Boogie pilot Kitchen submitted the tape to twenty-eight impartial stations across the country, all of which rejected it. He then spent a year saving up one other $3,000 (Panos became one in an extended line of capitalists chuffed to show Kitchen’s ambitions into overpriced stairways to nonstardom) to listing a stronger pilot, with a studio audience and brighter lighting fixtures. He ended up airing both pilots in 1984 on channel 13, a low-powered Chicago station with a ten-mile attain and a starvation for content material. The short-lived outlet become housed in an condominium constructing, with the studio in the front room and the antenna on the roof. regrettably he acquired no bites from greater stations after those airings (notwithstanding he did meet Jerry Bryant, future host of JBTV, on the station), and he deferred his dream briefly. but Kitchen turned into decided to develop into the next Don Cornelius, and eventually cable entry—love it did for therefore many—gave a microphone to a voice that the mainstream refused to listen to. The 2nd assault of the Boogie pilot, shot in 1984. The source videotape is a little bit the more serious for wear. In 1989 Kitchen entered the green road CAN tv studio, and with selfmade signs, birthday celebration-save decorations, an beginner crew, and twenty years of tv dance-exhibit expertise, he launched a cable-entry basic. Kitchen thinks he can also have made as many as 800 episodes of attack of the Boogie between then and 2014. He broadcast the display weekly on channel 19 (minus a suspension for overcrowding the studio), and for decades he produced a second edition working simultaneously on the low-employ commercial station WJYS, channel sixty two (the exact price range elude him, but he remembers that he and the station offered sponsorships to cover his airtime and construction prices, and he made a couple of hundred per episode on correct of that), in order that estimate may even be right. One thing it is definite is that looking at even a single episode of attack of the Boogie feels as stimulating and overwhelming as binging a complete season of a normal show. In brightly colored outfits that belonged in an outer-space discotheque, Andrew Kitchen held court docket over a motley crew of models and misfits. The show’s unhinged camerawork captured probably the most liveliest dancers on television—Kitchen constructed his solid partially by way of keeping courses for aspiring fashionistas (jogging the runway on the reveal served as a commencement ceremony), in part by way of auditioning dancers from Chicago’s deep pool of skill, and partly by bringing in friends and household. A Melvin "the Alexander" Dunlap highlight reel Melvin "the Alexander" Dunlap, the set clothier and dancer who appeared on the primary pilot, is a mountain of a man whose jumps, splits, and lunges shook the studio. (He remembers that Kitchen once needed to edit out his screams after he twisted his knee with an ill-recommended flying break up off a riser.) The signature dancer on attack of the Boogie, Dunlap had watched Kitchen on Soul instruct and had ambitions of imitating him—"but in a wilder method," he says. "i wanted my buddy to have a a hit element, so wild dancing was my approach of attempting to make the viewer stop turning the channel in order that they could examine this loopy man." faced with the Alexander’s loss of life-defying moves, Kitchen’s dancing ambitions, and segments such because the power Dance Circle (geometrically advanced to the Soul coach Line), viewers didn’t have a chance in opposition t the boogie. The vigor Dance Circle, captured right here within the mid-90s, changed into attack of the Boogie’s answer to the Soul teach Line. The on-screen Kitchen without end radiates boundless optimism about his actual and imagined endeavors (the most effective full episode obtainable on YouTube is a 1990 backdoor pilot for a by no means-produced second sequence, a preteen spinoff called Planet of the Little Boogies, and at one factor Kitchen tells the audience to seem out for his movement photograph, Rhythm people, a on no account-to-be-considered sci-fi mission). but what at all times tickled me about Kitchen, on set and on cable, changed into the way he borrowed from the prickly tv personality of Don Cornelius. He on no account went as far as the left-passed compliments and sly putdowns Cornelius would lay on his guests (Don was famously rough on hip-hop artists), however Kitchen would now and again admonish his volunteer tech crew on-air for minor system defects or specific disbelief on the answers dancers gave all through his seemingly improvised contests. This 1990 episode turned into a check run for the in no way-produced children’ show Planet of the Little Boogies. Even these flashes of harshness, even though, he delivered with a smile on his face. Kitchen had a couple of big-name visitors over the years, including Mavis Staples, Ginuwine, and customary, however the big name of assault of the Boogie became all the time Kitchen’s undying perception in attack of the Boogie. now and again the episodes had crisp, over-the-proper camerawork and fantastically playful special outcomes (the studio’s eco-friendly-reveal curtain could function reside pictures of 15-foot-tall dancers towering over their contemporarily dancing selves), and often the cameras and editing have been a sizzling mess, however no rely how the display regarded, Kitchen made you think find it irresistible was important and epic. And nothing captures that superior than the reveal’s marathon theme song. Kitchen participated within the native Soul train reunion hosted on stylish-a-Go-Go in 2009 and guested on the stylish-a-Go-Go podcast in 2014, but our paths haven’t crossed regularly in the closing decade. The megastar Creature regular Vibrations vinyl compilation assault of the Chicago Boogie, which drops Friday, September 9, gave me an excuse to seem him up. Label cofounder Tim Zawada and his colleague Hersh "Kool Hersh" Singh (both of the Boogie Munsters DJ crew) are vinyl archaeologists, captivated with what record collectors classify as "boogie": synth-pushed dance song from the late 70s and early 80s, put up-traditional disco and pre-apartment. Launched in 2015, celebrity Creature ordinarily releases new music with the aid of modern boogie-adjacent artists from Europe, Asia, and North the us (on both sides of the border wall), pressing modest runs for vinyl DJs. youngsters, Zawada and Singh had been expert in historic-faculty through gurus at fabled record stores Mr. Peabody and Kstarke. After amassing a number of Chicago rarities, Singh created a mixture for Zawada’s reveal on Lumpen Radio (the place he shares the airwaves with my pal Mario Smith, a poet and activist whose sister Nieci Payne turned into a channel 26 Soul train dancer and have become a big star on the country wide demonstrate in the 80s). Zawada and Singh realized this mix become simply too first rate to limit to an hour of neighborhood radio airtime. They accelerated it to ninety minutes and released it in February 2019 as a cryptic cassette and not using a song list. Its run of 200 bought out in one day. That impressed them to create a sequence of legit reissues of licensed Chicago rarities, known as assault of the Chicago Boogie in honor of Kitchen’s musical manifesto. Alongside his dance profession, Kitchen has made a few forays into the recording trade, always footing the invoice for each opportunity. In 1977 he went to Philadelphia to witness the recording of the wonderfully funky theme track he’d written for himself, "Kitchen, the Dancin’ Magician (grasp of affection)." Minuscule label Fox Century Plaza guaranteed him the tune would get airplay if he paid additional to get a particular vocal community to sing on the session, but he opted not to—and even though that promise changed into probably an empty one, "Kitchen, the Dancin’ Magician" sank like a stone. Discogs has certainly not considered a copy, and a YouTube video of the fresh Amazon digital "reissue" that Kitchen paid a person to aid promote has three views as of this writing. In 1977, Andrew Kitchen recorded a theme music for himself. In 1981 Kitchen’s lyrics to "Boogie Down With Me" grew to become (to his dismay) a country-pop entry on the tune-poem compilation tremendous sessions of the eighty’s. In 1996 he cut a hip-hop theme for assault of the Boogie, and he’s recently recorded a couple of new songs he plans to unencumber digitally. nevertheless it turned into his long-established assault of the Boogie theme music, pressed on the A and B sides of a 45 in 1984, that has brought Kitchen his present glories. As he recollects, he hired producer, engineer, and musician Jerry Soto to aid make the list. Soto, who died at fifty three in 2005, had a storied career assisting carry the most reliable out of blues and jazz legends, including chum man and Fred Anderson, and his lengthy client list also blanketed Peter Tork of the Monkees, Baseball hall of Famer Ernie Banks, absurdist challenging rockers Juzt Nutz, and hip-hop experimenter Serengeti. even though Soto on occasion labored with greats, he defined on the 1983 pilot episode of attack of the Boogie (the place he regarded as a visitor) that he became additionally dedicated to creating first-class music for the everyman, the underdog, and the individuals who just essential to specific themselves. Jerry Soto talks to Andrew Kitchen about producing the attack of the Boogie theme track during the exhibit’s normal 1983 pilot. "now we have helped lots of songwriters," Soto defined to Kitchen. "The vocalist doesn’t should be aware of anything about music—we organize the song around their lyrics and give them pointers. . . . first rate native ability should be helped more within the Chicago enviornment, and that is the reason what i am trying to do." right through his recording session, Kitchen hummed the melody for Soto, who for $one hundred seventy five became these brief notes right into a deeply grooving song. Soto introduced in a drummer and a bassist, performed the other 9 gadgets himself, and blew past the allotted four hours of studio time (for no additional can charge) as he added layer upon layer of boogie wonder. Sung by means of Elayne Coleman, a Dancin’ Magician and someday assault of the Boogie cohost, the song is minimalistic funk with extreme solos and grooves (and a number of crazy motorcycle sounds and audio consequences thrown in). The lyrics make the boogie seem to be each an ominous danger ("it’s gonna get you . . . there is no location to run . . . so pay attention!") and a giving lover ("The boogie’s gonna groove you, chill out and soothe you . . . now not gonna harm you"). Kitchen paid around $1,200 to an organization that convinced him to press 500 copies, 400 of which it promised to send to radio stations around the country, guaranteeing him airplay (he is long considering that lost his personal a hundred copies to strikes and water hurt). The airplay didn’t come, at the least not in that century. In 2017 Singh purchased a replica of the only for $seventy five from Europe (the place most present stock looks to have ended up by some means), and he turned into overjoyed. The track naturally has enthusiasts—a few remixes have popped up on-line, and Discogs lists a bootleg from the Netherlands—and the outsize response to its look on the megastar Creature cassette satisfied Zawada and Singh to combine either side of the 45 into a virtually seven-minute remix that kicks off the reissue sequence. "often 45s don’t exceed the 4-minute mark," Singh explains, "however one side of this changed into over five minutes lengthy, and the different is over six." (On the Little Boogies episode of assault of the Boogie, very nearly 25 % of the reveal carries the younger hoofers tirelessly bopping to the opening theme track.) "i like doing edits from older information. there were in fact cool parts partly one, and part two changed into type of lengthy—there is a bass solo that goes on continuously—so I passed the edit over to Tim and he brought to it. It sort of came together superbly." just as desirable have been their interactions with Kitchen, who’d been put in touch with the star Creature crew by Rob Sevier from the Numero group. "he is a brilliant pleasant man and he became definitely down," Zawada says. "Andrew is a very eccentric persona—he type of lives in his own bubble—but he is a extremely candy guy. I have had loads of difficult interactions with artists, however Andrew changed into convenient to work with." famous person Creature says the vinyl edition of attack of the Chicago Boogie, with appealing cover art by using Ben Marcus that mimics an 80s birthday celebration flyer, has offered out earlier than its free up date. Zawada and Singh hosted a small COVID-period list-unencumber birthday party at Conservatory vintage & Vinyl in August, and Kitchen brought his family and chums. "We had been chuffed to peer he turned into satisfied," Zawada says. "I believe he variety of lives in an alternate truth of McDonald’s classified ads and charting on the correct one hundred. but he’s performed so an awful lot and so little of it’s documented, so or not it’s satisfactory to position this out. He says he’ll reboot the demonstrate quickly." Kitchen does say he is pondering rebooting assault of the Boogie, as assault of the Boogie Reloaded, combining antique pictures with new speaking heads inserting the display into context. so far as Zamada’s skepticism about Kitchen’s claims, I believe it’s probably genuine that he got native McDonald’s franchises to purchase ads on his channel sixty two demonstrate. he’s showed me where a recent digital release of his 90s assault of the Boogie theme charted on DigitalRadioTracker, for whatever thing it truly is value, so while he is likely seeing no monetary reward, that boast is additionally technically actual. Zawada is rarely thoroughly incorrect about Kitchen’s alternate reality—however i would say he lives in a parallel reality, no longer an alternate one. the place he lives, the tons of of enthusiastic viewers of a cable-entry exhibit, the handfuls of fabulous dancers who come out, the useful americans who work in the studio, and the loyal chums who make props and garments and bust their knees to retain eyeballs to your show all add as much as very real, if now not reasonably global, repute and glory. only a few of us are wired to satisfy modest successes with potent optimism the style the Dancin’ Magician does. however I guess that is what keeps Andrew Kitchen dancing. and that is the reason what maintains Andrew Kitchen younger.  v.

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